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Fine Art Trade Guild-approved inks
oil and gold leaf on a deep cradled board
Just as the land holds traces of centuries of human activity and natural change
" Helen Mort
A moor is not a mountain XIV poetic landscapes Fine Art Trade Guild-approved inksIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive
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